lads and lasses I am here to tell you of the wee (little) people the chrystle Ilse, or field of green and how the veil of the after this life hides them. The children to day call it a dimension. A place & people we can not see, nore feel or smell. Yet in this place we have smelled a smell that did not belong in that time or place, or objects have been moved or hidden and there is no earthly reason it should have moved. I be looking for imps, pixies, elves, & dwarves that some how slip through the vail. I know the veil exists and the only way to pass through is out of body fanominah, near death,drug use (uforeah), or death. Other people have died and come back they can tell you their stories and I know from personal experience they are around so look up your legend and lore to keep them happy. Those who are skeptic will tell you "we do not know about after death until we are dead." Believe or not believe it does not matter me either way, and when the wee one are ticked at you and the mischief happens you can't say you were not warned.
Each of the cultures around the world have their own wee ones of different names and shapes, but are still the wee one. People that walk between the vails understand this.
The field of green, crystal isle, the many layer of heavens/ hells are all thought of what is after death. My time between the veils seemed like yesterday and I still hear the voices some times from when I was dead, but it does not get me anymore. I drowned in the Manistee river when crossed over and I was brought back. I can tell you there are the voices in the darkness of death. So tell me there is no wee people, heaven hell, field of green or even the crysle isle please understand from where I stand I am not wrong.
THE ALTAMIT QUESTION OF LIFE AFTER DEATH.
The roles of bards, storytellers, and ministers have been integral to human societies for centuries, serving as the custodians of culture, morality, and spiritual beliefs. They provide narratives that help individuals and communities understand their place in the world and cope with the great unknowns of existence, such as death and the afterlife. These narratives can offer comfort, provide moral guidance, and foster a sense of connection with something greater than oneself. While personal experiences and beliefs about spirits and the afterlife vary widely, these traditional roles continue to hold significance for many as they offer a collective wisdom passed down through generations. Living authentically is certainly a fulfilling pursuit, and for some, it may indeed satisfy the quest for understanding. Yet, for others, the stories and interpretations offered by these cultural figures help to frame life's experiences within a broader context of meaning and purpose.
The concept of deities and divine guardians is a common thread in many cultures and religions around the world. These figures often represent ideals, virtues, and the forces of nature, embodying the hopes and fears of humanity. People may feel a personal connection to certain deities, finding comfort and guidance in their stories and teachings. This personal connection can manifest in various forms of worship, prayer, or meditation, reflecting an individual's inner life and values. The belief in divine beings watching over one's daily activities can provide a sense of protection and purpose, influencing moral choices and offering solace during challenging times. While the specifics of these beliefs vary widely among different traditions, the underlying human desire for connection with something greater than oneself is a universal experience. It's a profound aspect of human culture that continues to inspire, comfort, and motivate individuals across the globe.
love after death
The concept of love after death is a profound and complex topic that touches on the philosophical, spiritual, and sometimes religious beliefs of individuals and cultures. Throughout history, various philosophies and religions have explored the idea of an afterlife, where love and other aspects of one's existence may continue beyond physical death. For instance, many believe in the concept of a soul or spirit that lives on, maintaining the essence of emotional connections, such as love.
The certainty of love after death cannot be empirically proven or disproven, as it largely falls outside the realm of scientific measurement and resides more in personal belief systems. People find comfort in different ways, some through faith, others through the memories and legacies left behind by loved ones. The idea that love can transcend death often provides solace and a sense of continuity that helps individuals cope with loss.
When faced with the phrase "till death do us part," it's important to recognize it as a commitment made during life. The enduring impact of love is often reflected in how individuals honor and remember their loved ones after they have passed away. This can be through cherishing memories, upholding values shared with the departed, or continuing causes and projects that were important to them.
Ultimately, the belief in love after death is a deeply personal matter. It is shaped by one's experiences, cultural background, and individual spirituality. While there is no universal answer to these questions, the exploration of such concepts can lead to meaningful reflections on the nature of love, life, and the connections that bind us. Whether or not love persists after death, its effects are certainly felt by those who continue to cherish the bonds they've formed.
Cultural beliefs about love after death are as varied and rich as the cultures themselves, reflecting deep-seated values, religious doctrines, and philosophical insights. In many South American traditions influenced by Catholicism, there is a vibrant celebration of the deceased's life, exemplified by the Day of the Dead festivities, where it is believed that loved ones return to partake in the celebrations with the living. This contrasts with North American practices, which often involve wakes, funerals, or celebrations of life, where the focus is on honoring the deceased and providing closure for the living.
Native American rituals, for instance, are centered around aiding the spirit's journey from the body, using nature as a guide for the burial process. Similarly, in Asia, the concept of death is often seen as a transition rather than an end. For example, Japanese Buddhist funerals blend spirituality with ceremony, emphasizing the impermanence of life and the soul's journey beyond physical death.
In African societies, death is not viewed as the cessation of existence but rather as a passage to another realm, where the bonds of love may continue in a different form. These beliefs shape funeral rituals and the way communities handle grief, often imbuing ceremonies with religious significance. Meanwhile, Western perspectives might stress the finality of death, focusing on the biological aspects and the importance of individual legacies.
The diversity in these beliefs highlights a universal curiosity about the continuation of love and connection beyond death. Whether through colorful celebrations, solemn ceremonies, or personal remembrances, cultures around the world find ways to express their enduring love for those who have passed away, suggesting that the impact of love can indeed transcend the boundaries of life and death. Each culture's practices offer a unique window into how they understand and cope with the mysteries of life's final journey, and how they choose to keep the essence of love alive even after death.
References:
1. Different Cultural Beliefs on Death and Dying Practices | LoveTo Know
2. Global Perspectives on Death and the Afterlife: Cultural and Philosophical Insights - Connolly Cove
The Day of the Dead, known as Día de los Muertos in Spanish, is a vibrant and poignant celebration observed primarily in Mexico, but also in other areas with Latin American heritage. This multi-day holiday, which takes place on November 1st and 2nd, coincides with the Catholic observances of All Saints' Day and All Souls' Day. It is a time when families come together to honor and remember deceased loved ones, believing that the spirits of the dead return to visit the living during this period.
The origins of the Day of the Dead can be traced back to indigenous traditions, such as those of the Aztec and Nahua people, who held cyclical views of life and death. They believed that death was part of the journey of life, and the dead continued to exist in an afterlife. When the Spanish colonizers arrived and introduced Catholicism, these indigenous customs merged with Christian practices, resulting in the unique syncretism that characterizes the modern Day of the Dead.
One of the most recognizable symbols of the holiday is the ofrenda, or altar, which families construct in their homes or at cemeteries. These altars are adorned with marigolds, candles, incense, and photos of the departed. Offerings of the deceased's favorite foods and drinks are placed on the altar, along with sugar skulls and pan de Muertos, a special bread made for the occasion. The ofrenda serves as a welcoming gesture to the spirits and a display of love and respect for those who have passed.
The celebration is both solemn and festive, reflecting the duality of mourning and the joy of remembering the dead. People visit cemeteries to clean and decorate gravesites, often spending the night to keep vigil. Music, dancing, and storytelling are common, with families sharing anecdotes and memories of their loved ones. The atmosphere is one of communal support and affirmation of life, even in the face of death.
In recent years, the Day of the Dead has gained international recognition, partly due to its inclusion in popular media, such as the animated film "Coco." The holiday's themes of family, memory, and the enduring bonds of love resonate universally, and its colorful imagery has captivated audiences worldwide.
The Day of the Dead stands as a testament to the human capacity to find beauty and meaning in the cycle of life and death. It challenges the notion of death as an end, instead presenting it as a natural part of existence, a step in the continuum where love and memory serve as bridges between the living and the departed. Through its rituals and customs, the Day of the Dead offers a way for people to express their grief, celebrate the lives of those they have lost, and reaffirm the connections that transcend the physical world.
Cultural festivals related to death are observed worldwide, each with unique customs and traditions that reflect the community's views on mortality and the afterlife. In Ghana, the tradition of Fantasy Coffins has gained attention for its colorful and elaborate caskets that represent the deceased's life or dreams. These bespoke creations range from cars and animals to objects like cameras, symbolizing the individual's passions or profession.
Madagascar is known for the Famadihana, also called the 'turning of the bones,' where families exhume the remains of their ancestors, rewrap them in fresh cloth, and dance with the bundles in a celebration of familial love and memory. This ritual, which occurs every five to seven years, is a way to maintain a connection with the past and honor the dead.
In Bali, the Ngaben is a cremation ceremony that is both a farewell and a celebration. It is believed that the ritual helps in releasing the soul from earthly ties and assists its journey to the afterlife. The elaborate process includes a procession and the burning of a large, ornately decorated tower, symbolizing the body's return to the five elements.
New Orleans in the United States is famous for its Jazz Funerals, where brass bands play somber tunes during the procession to the cemetery and then shift to lively jazz and blues to celebrate the life of the deceased. This unique blend of mourning and festivity encapsulates the spirit of the city and its inhabitants' approach to death.
China's Qingming Festival, also known as Tomb-Sweeping Day, is a time for families to clean the gravesites of their ancestors and make offerings. The festival is rooted in Confucian principles of filial piety and respect for one's ancestors, and it often includes the burning of joss paper and other items as offerings.
Japan's Obon Festival is a Buddhist event that commemorates the spirits of ancestors. During this time, it is believed that the spirits return to visit their living relatives. Lanterns are hung to guide the spirits, and traditional dances called Bon Odori are performed. The festival culminates in the floating of lanterns on water, symbolizing the spirits' return to the afterlife.
These festivals, while diverse in practice, share common themes of respect, remembrance, and the celebration of life. They provide a space for communities to come together, to grieve, and to reflect on the cyclical nature of life and death. Each festival offers a unique perspective on the universal experience of loss and the ways in which love and memory can transcend the physical separation brought by death. Through these rituals, the dead are remembered not only for their earthly existence but also for their continued presence in the cultural and spiritual fabric of society. Cultural festivals related to death thus serve as a testament to the enduring bonds of community, heritage, and the human spirit.
Contacting the dead
The concept of communicating with the deceased is a topic that has fascinated humanity for centuries, appearing across various cultures and historical periods. It's a subject that touches on the profound mysteries of life and death, and the human desire to understand what, if anything, lies beyond this life. While many people report experiences that they interpret as contact with the dead, these occurrences are often deeply personal and subjective, making them difficult to study scientifically.
Psychological studies suggest that such experiences can be part of the grieving process, providing comfort to those who have lost loved ones. For instance, Psychology Today notes that up to three-quarters of bereaved people report some form of communication with a deceased loved one, which can be a part of personal growth during bereavement. However, the evidential basis of these communications is often debated, with some attributing them to psychological phenomena rather than actual contact with the dead.
Historically, practices like necromancy and spiritualism have attempted to establish communication with the spirits of the deceased. These practices have varied from the use of mediums and séances to more modern methods like electronic voice phenomena (EVP). Yet, despite the popularity of these practices, there is no scientific consensus that supports the reality of contacting the dead.
Religious texts and beliefs also offer perspectives on this subject. For example, some interpretations of the Bible suggest that while psychic experiences of talking with the dead may occur, they are not encouraged and are associated with deceiving spirits rather than the spirits of the deceased.
In literature and popular culture, the theme of contacting the dead is prevalent, often depicted in a way that reflects our collective hopes and fears about the afterlife. Whether through the tragic tales of ghosts in Shakespeare's plays or the more light-hearted depictions in modern media, the idea continues to captivate our imagination.
In conclusion, while the belief in contacting the dead is widespread and can provide comfort to many, its reality remains unproven by scientific standards. It's a phenomenon that sits at the intersection of faith, hope, and the human experience of loss, reflecting our enduring quest to understand the unknown. Whether these experiences are genuine contact with the dead or psychological manifestations, they are a testament to the lasting bonds of love and the impact of loss on the human psyche.
Throughout history, humans have employed various methods in their attempts to communicate with the deceased. One traditional approach is the use of a medium during a séance, where participants sit together and invite spirits to deliver messages through the medium. Another popular method is the Ouija board, which is said to facilitate communication with spirits through the movement of a planchette across letters and numbers to spell out messages.
Some individuals prefer personal, solitary practices such as meditation or prayer, focusing their minds and spirits on the departed in the hope of receiving a sign or message. Mirror gazing, also known as scrying, is another method where one stares into a reflective surface with the intention of seeing visions or receiving messages from the other side.
Technological approaches have also emerged, such as Electronic Voice Phenomena (EVP), where it is believed that voices of the dead can be captured on audio recordings. Similarly, Instrumental Transcommunication (ITC) uses electronic devices like radios or televisions to hear or see signs of the dead.
More direct methods include using knocking sounds, where a single knock might indicate a 'yes' and two knocks a 'no' or employing flashlights that spirits can supposedly turn on or off to signify responses. Some people also report spontaneous signs from the deceased, such as feeling their presence, smelling a familiar scent, or experiencing meaningful coincidences.
It's important to note that while these methods are widely practiced and hold significant meaning for many, there is no scientific evidence to support the actual occurrence of communication with the dead. These practices often rely on belief and the subjective interpretation of events. Whether or not these methods provide genuine contact with the afterlife, they continue to be a source of comfort and solace for those who grieve and seek to maintain a connection with those they have lost.
Electronic Voice Phenomena, or EVP, is a fascinating and mysterious aspect of paranormal research. It refers to the unexpected appearance of voices on electronic recordings, which some believe to be the voices of the deceased. The process typically involves recording audio in an environment where no audible voices are present, and later reviewing the recording to listen for potential messages from spirits. These sounds are not heard at the time of recording; they only become apparent upon playback.
The origins of EVP are often traced back to the 1950s when researchers like Friedrich Jürgenson and Konstantin Raudive began experimenting with tape recorders to capture what they believed were voices from beyond. They would record ambient noise or white noise and analyze the recordings for any anomalies that resembled speech. The theory is that spirits can manipulate electronic devices to imprint their voices onto the recording medium.
In practice, EVP sessions can be conducted in various settings, from historical sites to one's own home. Investigators may ask questions aloud, hoping to receive responses when they play back the audio. The quality of EVPs can vary greatly, with some being clear and others requiring interpretation. They are typically classified into different grades based on clarity, ranging from Class A, which are clear and easily understood by most listeners, to Class C, which are often difficult to decipher and may require significant amplification or noise reduction.
Skeptics argue that EVPs may be the result of pareidolia, where the human brain interprets random patterns as something familiar, such as hearing voices in random noise. Others suggest that radio interference or cross-modulation from other electronic devices could explain the voices. Despite these alternative explanations, many enthusiasts continue to explore EVP as a means of paranormal investigation, seeking to understand the mysteries of the afterlife.
It's important to approach EVP with a critical mind, considering both the potential for genuine paranormal communication and the possibility of more mundane explanations. While EVP continues to be a topic of debate, it remains a compelling area of study for those interested in the possibility of life after death and the unexplained phenomena that challenge our understanding of reality. As with all such investigations, it is crucial to maintain a balance of open-mindedness and skepticism.
Electronic Voice Phenomena (EVP) recordings have intrigued both paranormal enthusiasts and skeptics for decades, with some cases gaining notoriety for their clarity and compelling backstories. One of the most famous EVP recordings was captured by the American Paranormal Research Association at the Saugus Train Station in Santa Clarita, California. This particular recording is often cited due to the clarity of the voice and the distinct, seemingly intelligent responses that were captured.
Another well-known case involved researchers George and Jeanette Meek in the 1970s and 1980s, who recorded hundreds of hours of EVP using radio oscillators. Their work is significant in the history of EVP research and has been referenced in various studies on the subject.
The EVP captured by Konstantin Raudive, a Latvian writer and intellectual, is also among the most cited. He conducted extensive research into EVP and even published a book in 1971 titled "Breakthrough: An Amazing Experiment in Electronic Communication with the Dead," which documents his experiences and findings, including numerous EVP recordings he believed to be communications from beyond.
In popular culture, the movie "White Noise" starring Michael Keaton brought the concept of EVP to a wider audience, showcasing the idea that the dead can communicate through electronic devices. While the film is a work of fiction, it is based on the premise of EVP and has contributed to the public's interest in the phenomenon.
YouTube channels and paranormal shows often feature segments on EVP, presenting recordings that they claim to be evidence of the paranormal. These recordings range from simple whispers to full sentences, and sometimes include voices that seem to be directly interacting with the investigators. While the authenticity of such recordings is often debated, they continue to captivate the imagination of many.
It's important to approach EVP with a critical mind, as the quality and interpretation of these recordings can be subjective. Some may be compelling and difficult to explain, while others could be dismissed as audio artifacts or the result of pareidolia, where the human brain interprets random sounds as familiar patterns like speech. Despite the controversies, EVP remains a fascinating topic within the field of paranormal research, and famous recordings continue to spark discussion and investigation into the possibility of an afterlife.
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